Unexpected Publicity

Alison Naylor
Elope
This lovely quilt created by one of our COOTS members, Alison Naylor, was stolen whilst it was on exhibit as part of our COOTS exhibition: ‘Up Stream of the Herd’. Here is a local newspaper article about it. This caused quite a stir and a lot of people came to the exhibition as a consequence of this exposure. It was a good talking point. Alison wasn’t too perturbed by the theft and thought the lady must have really loved it. Ultimately she was caught and paid for the quilt, although the Police never found the quilt. Other travellers have told us that she had probably posted it by the time the Police found her.

Here is a link to a blog by another talented COOTs member Angela Meecham who talks about this as well as shows some of her pieces in the exhibition.


Challenge for the Exhibition

This is the blurb we had in the front of our catalogue about our group:

COOTS is a group of fibre related, mixed media artists who strive to create gallery quality, original works of art which are exhibited biennially.
COOTS is made up of 11 individuals who meet regularly to share ideas and skills, critique each others work, share resources, have workshops and generally embrace textiles.
More recently we have chosen to meet for longer periods less often and now attend 4-day retreats to stimulate and encourage each other. This makes our time together as artists more valuable.
Each alternate year a group challenge is issued to encourage us to extend our skills and try new techniques. The challenge displayed here is THE WOODPILE.

This “UPSTREAM OF THE HERD” exhibition showcases how each of the members has developed their chosen media by producing this outstanding exhibition of fibre related art.

As mentioned above, we have a challenge for each exhibition and this one was called Woodpile. One member gave everyone a photograph and we were to interpret it in our own way. 

This was the photograph, and here is the blurb in the catalogue about this challenge.

Wood, in all its forms, has always been a friend of man and, for a fibre artist, bark, old tree trunks, driftwood and cut logs create wonderful textures and shapes.
On the practical side, maintaining a healthy woodpile is a necessity for most Central Otago dwellers and this is even more important in the colder climates of Europe. We in New Zealand tend to be fairly prosaic about our woodpiles. Not so the Austrians. Their stacks are works of art, almost too beautiful to burn.
This woodpile was found in Liechtenstein, which shares a border with Austria and was probably never meant to be burnt – but it did beg to be photographed and came home to form the subject of our biennial group project.

The challenge was to use the photograph as a starting point and create a work of art that interpreted the woodpile as we each saw fit with no limits on colour, shape, size or kind of material that could be included. 

Here are some of the pieces members created to answer the challenge.



Here is a link to COOTS member Angela Meecham’s blog regarding our opening and more photos.

COOTS Exhibition

I may have mentioned previously that I am a member of a group called COOTS (Central Otago Outside The Square), not old coots as my children have called it!! We have 12 members from around the Central Otago district and we get together 4-5 times a year. We have two 3-4 day retreats one in May and one in Sept/Oct each year, the other times we get together are at Christmas and then in February and sometimes during August. One of our retreats is to work on our own projects and one is to have a tutor and educate ourselves further. We have an exhibition every two years around March. The following few posts will be of our last Exhibition in March 2013.

These four pieces are part of a series of mine called ‘I am from…’ based on a poem of the same name written about where I grew up and incorporates family traits, sayings and traditions.

 ‘I am From … I’

I hand dyed the fabrics to get the colours I needed. The yellow is the same colour as road signs here in New Zealand. The letters are all appliqued. These are some of the streets I have lived on. (not all – the quilt would have been huge if I had included all of them).

 I am from … II

In this quilt I printed out street maps of the area where I lived onto fabric and joined them together and then cut it out in the shape of me as a toddler. The background of this quilt has the words of the poem machine embroidered into the back ground. It took aaaages.

 I am from … III

I was reading a book by Jill Berry called Personal Geographies about making personal maps and wondering how I could incorporate a map into my series. I was staring at the map of New Zealand and suddenly saw the South Island as a dress, so I had a high resolution image printed onto fabric by Spoonflower  I used text fabric as the flesh and, of course, she has to have sun glasses on (as I always wear sun glasses).

I am from …. IV

This quilt is an abstract street map of the part of town I grew up in. It is made using a technique for ‘skinny piecing’ I learned in a class with Rosalie Dace

Remarkable Symposium 2011, Queenstown

The following photos are for those who did not manage to get to symposium. These are some of the winning quilts, I’m sorry they are not in any order. All images are clickable to see more detail, enjoy!

Viewers Choice and Excellence in Machine Quilting Domestic
 – Kapiti – Chris Kenna

Jeanette Gillies – Merit

Tania Nyboer – Stroll in the Park – Amateur Traditional Excellence

Camilla Watson – Garden for a Minimalist Apartment Professional Art Excellence

Camilla Watson – Custard Square – Suitcase Award

Clare Smith – City Map – Suitcase and Merit Awards
Clare Smith – A change in the Weather – Merit Award

Alison Laurence, In A Flash – Merit

Rosemary Rush, Retro Razmatazz – Remarkable Use of Colour

Griet Lombard, Block-a-day Therapy – Excellence Professional Innovative

detail
Robin Halverson, Low Tide – Merit

Gael O’Donnell, Currahee – Excellence Bed Quilt

Ansa Breytenbach, Te Timatanga (The Beginning)
Best of Show

Detail
Helen Beaven, Painted Chocolate Blocks
Excellence Amateur Innovative

Liz McKenzie, Gondola Over Wakatipu – Suitcase
and Merit Awards

MaryAnn Georgiou, Herakles The Labours of a Quilter
Merit and 2nd Viewers Choice

Amanda Hasselman, For Freedom – Merit

reverse side

Juliet Fitness, Merino Muster, Dont forget the Dog – Merit

Natalie Murdoch, Pack up your troubles
in an old Kete – Winner ANZAC Challenge

Jean McLean, Spirit of the Gum – Suitcase Award

Lesley O’Rourke, Celtic Wave – Excellence in Machine
Quilting – Long Arm Computerised

Philip M Ward/ Quarryburn Quilting, And then came Colour
Excellence Commercially quilted – quilting
Mary Fletcher, Floral Boquets – Merit

Mary Fletcher, Sweet William – Professional Traditional Excellence

Debby Williams, Starlight Sonata Opus 8
Miniature Excellence

Debby Williams/Barbara Paton, Citrus Sorbet
Group/collaborative excellence

Barbara June Paton, Bushfire –
Excellence in Machine Quilting Long Arm Computerised 

Fyvie Murray, Baltimore Album VI with Stars – Merit
Wendy Ward, Michael’s Quilt – Merit Award

Wendy Ward, A Woman’s Place – Merit Award and Suitcase Award

Wendy Ward, The Raven, Winner Fibrelicious Challenge

Chris Tait, This is the Story of a Girl – Judges Award
Barbara Kaverman, Texas Depths of Field – Merit

Meryl Caudwell, Flowers from Ricky – Merit

Marge Hurst, In my Retirement – Best Traditional Quilt

Donna Cumming, Africa Excellence Comercially Quilted top/piecing Award

Barbara Bilyard – Merit

Heather McLean – Hellebore Sampler – Amateur Art Excellence

Lyn Ogle, A Day’s Catch – Best Non-Traditional Quilt
Ruth Wheeler – Winner Remarkables Challenge

Heather Harding, Welsh Traditions – Excellence in hand Quilting
Suzet Pont – Entwined – Merit

The following quilts were not prize winners but were stunning

Fyvie Murray, Balimore Album VII
Robyn Parkinson, Boned Corset
Janice Dowdeswell, Delphinium I
Merrilyn George – Two is Company, Three’s a Crowd
Heather Harding, Feathered Circles(Miniature) – Suitcase
Jenny Tayler Pink and Green

Chris Kenna Bronze Feathers
Jeanie O’Sullivan – Albert Picks Roses for Victoria

Griet Lombard, Sunset at Waitarere Beach
Alison Laurence – Journey South
Barbara Kaverman – Once in a Blue Moon
Jenny Tayler – Rainbow Starburst

Finishing Projects

Gosh has it really been this long since I have posted eeekkk. The blogs I have been reading seem to be posting pictures of things they have recently completed, so who am I to buck the trend here are some recently completed pieces to  be exhibited at the Festival of Colour in Wanaka next week as part of the COOTS (Central Otago Outside the Square) group exhibition called “A Common Thread”. This series of work I call “Home and Soul Series’. The last one is very large and the photo has some glare on it. This next piece is my contribution to the raffle. We had to make something to go into a basket for a raffle prize. 


The pictures below are two recently completed projects, one a glasses case using Wessex embroidery taught by Gay Eaton at a workshop





And these are of my recently completed Hussif. I have been a stitcher and sewer for so long and have finally made this to carry all my necessary tools.

Outside

Inside

Partially closed

Fully closed (front)




Quilting Arts Padfolio

I made the Decorative Fabric Portfolio from the Quilting Arts Gifts 2008/09 magazine. If I made this again I would either satin stitch the edges or use bias tape or some form of decorative edging as I wasn’t happy with the “roughness” of the edges just using zig-zag. I really enjoyed the dying, stamping, screen printing, painting process and cutting up the “made” fabric was exciting and it looked much better when reassembled than it did in one piece.

I purchased this Amy Butler pattern and it says to use 2 and a half metres of fabric – I used this beautiful fabric

And after I laid out the pattern I discovered that 1.5 metres was more than ample fabric for this pattern this was using directional fabric – so if you were using a fabric that was not directional you would not need even 1.5 metres – as you can see I have
plenty of fabric to spare – to use on lovely things like
pin cushions etc. Will post a pic once I have completed the
top – don’t hold your breath!

Its been a while

Well my foray into blogging has been sporadic, at best! So here is an update on what I have been doing lately:
I am working my way through Kelly Rae Roberts’ Book “Take Flight” and am doing the little projects in it – here is what I have done so far.

It is from the first chapter in which D J Pettitt’s work is featured. Not totally happy with it – but it is a start, the bits that are influenced by DJ Pettitt are not actually shown in this picture -they are little tags but not quite finished yet. Some of the projects from the book I will make as pages and tie them all together as a finished peice with the little tags.

This next piece is from the second chapter with Laurie Mika . Kelly Rae uses the contributing artists techniques rather than styles as elements in her own art. With Laurie Mika she used polymer clay. My adaptation of it is a little different – here it is


It is on a small 10x10cm canvas – on the side it says “Yes, I am a princess, can’t you see my crown”. And here is another one, on the side of this one it says “Queens Rule”

Country Day Quilts

Here are the pictures from the Quilt Exhibition I helped to Judge. There was meant to be a first, second and third, but we could not just leave it at three prizes so we gave a merit prize to this quilt “Enter the Dragon”

The Third Prize quilt was this lovely quilt “Licorice Allsorts” it uses lovely rich Bali fabrics.

The Theme was “Diamonds are Forever” and this second prize quilt was for a Diamond Wedding Anniversary. It was simple but very effective and the basis of the design as a Chrysanthemum Flower. The maker of this quilt is in her 80! year – how fantastic this that.

The Winning Quilt called ” Diamonds from the Rainbow” A lovely Quilt inspired by the book “Strata Various” The workmanship and quilting was fantastic. Please excuse the not so good photo